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Context and Narrative
PH4CaN-1 The photograph as document
Project 1 Eyewitnesses?
Project 2 Photojournalism
Project 3 Reportage
Project 4 The gallery wall- documentary as art
Project 5 The manipulated image
PH4CaN-2 Narrative
Project 1 Telling a story
Project 2 Image and text
Project 3 Photographing the unseen
PH4Can-3 Putting yourself in the picture
Project 1 Autobiographical self-portraiture
Project 2 Masquerades
Project 3 Self-absented portraiture
PH4CaN-4 Reading photographs
Project 1 The language of photography
Project 2 Reading pictures
PH4CaN-5 Constructed realities and the fabricated image
Project 1 Setting the scene
Project 2 The archive
Assignments
Assignment one. Two sides of the story
Assignment two. Using props
Assignment three. Self portrait
Assignment four. “A picture is worth a thousand words”
Assignment five. Making it up
LEARNING LOG
PART 1. The photograph as document
PART 2. Narrative
PART 3. Putting yourself in the picture
PART 4. Reading photographs
PART 5. Constructed realities and the fabricated image
Research
Francesca Woodman
Samantha Gaballe
Isabelle van zeijl
Brooke Shaden
Elina Brotherus
Jeff Wall
Guy Bourdin
Bill Brandt
Henry Cartier Bresson
Fay Godwin
Mona Kuhn
Annie Leibovitz
James Ravilious
W Eugene Smith
Edward Weston
Dorothea Lange
Gregory Crewdson
Nan Goldin
Hippolyte Bayard
Susan Sontag
Roland Barthes
John Berger
Archive
Projects
The distorting lens
Moonlight
Portals
Trees
Gallery
PH4EYV-1 From that moment onwards…
Project 1 The Instrument
Exercise 1.1
Project 2 Visual skills
Exercise 1.2 Point
Exercise 1.3 (1) Lines
Exercise 1.3 (2) Lines
Exercise 1.4 Frame
Project 3 Surface and depth.
Campany and Colberg’s reviews of Thomas Ruff’s ‘jpegs’.
PH4EYV-2 Imaginative spaces
Project 1 The distorting lens
Exercise 2.1
Exercise 2.2
Exercise 2.3
Exercise 2.4
Exercise 2.5
Exercise 2.6 Wide aperture
Exercise 2.7 Small aperture
Project 2 Lens work
PH4EYV-3 Traces of time
Exercise 3.1 & Project 1 The frozen moment
Project 2 A durational space
Exercise 3.2
Project 3 ‘What matters is to look’
Exercise 3.3
PH4EYV-4 The language of light
Exercise 4.1
Project 2 ‘Layered, complex, and mysterious…’
Exercise 4.2
Project 3 The beauty of artificial light
Exercise 4.3
Project 4 Ex Nihilo
Exercise 4.4
Exercise 4.5
PH4EYV-5 Viewpoint
Project 1. The distance between us
Exercise 5.1
Context
Exercise 5.2
Exercise 5.2 Final version
Homage to Edward Weston
Project 2. Photography as information
Exercise 5.3
Assignments
Assignment one ‘Square mile’
Assignment one. Submission version
Assignment two ‘Collecting’
Assignment two. Submission version
Assignment three ‘The decisive moment’
Assignment three. Submission version
Assignment four ‘Languages of light’
Assignment four. Submission version
Assignment five ‘Photography is Simple’
Assignment five. Submission version
I see!
…… by Miles
PH4CaN-5 Constructed realities and the fabricated image
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